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Comedy has a classical meaning and a popular one. The first one refers to comical theatre and the latter, is the use of humor to provoke laughter in general. In the theater, comedy, in contrast to tragedy, portrays a conflict between a young hero and an older authority, a struggle between a “society of youth” and a “society of the old”. The basis of comedy is a plot mechanism conceived to evoke misunderstandings either about a hero’s identity or about social being in general. Comedy applies to theatrical dramas, the major object of which is to amuse. In fact, it is difficult to describe the term comedy. Humor, for instance, is subjective; one may or may not find something humorous, on the contrary, he can find it either too offensive or not offensive at all. Comedy is judged according to one’s own taste. Some people adore cerebral fare such as irony or black comedy; others prefer scatological humor and slapstick. Most good comedy, as with a good joke, typically contains the elements of surprise, conflict, the effect of opposite expectations, incongruity. If the comedy is to be successful, then the audience has to become a part of the experience. Historically, theatre comedy had several forms: Greek comedy, clown, commedia dell’arte (a form of improvisational theatre, mainly from the sixteenth to eighteenth centuries), farce (often thought of as theatrical, but adapted for other media), jesters (clowns typically associated with the middle ages), vaudeville (it is a comedy that is performed in theatres that gradually declined as television ownership increased).