Theater
Musical
Broadway's Hamilton Musical a Big Box Office Winner
September 30, 2015
by Amy
Hamilton Record-Setting Broadway Run
The “hottest Broadway show” tag has been Hamilton’s all year, as the smash hit’s popularity was seemingly unstoppable even before it finally came to the Great White Way. The Lin-Manuel Miranda-penned gem officially opened at the Richard Rodgers Theatre just shy of two months ago but has already been confirmed for at least 100 more shows through Sept. 2016.
Based on the whirlwind of box office success for Hamilton, unending praise from critics, a cast album that could potentially become mainstream, and revolving door of celebrities in attendance night after night, it got us thinking about how its remarkable early run stacks up against other prominent Broadway hits.
Study Reveals Hamilton to Be a True Box Office Winner
Taking a look at box office data from Broadway World for major musicals and plays dating as far back as Cats’ debut in Oct. 1982, Hamilton indeed boasts the best six-week opening run of the bunch, accruing $8,978,868 in revenue. The haul is a significant improvement on Manuel’s 2008 debut, In the Heights, which played at the same Richard Rodgers Theatre, but tallied just $3,111,520 during its first six weeks on Broadway.
Of course, venue size can be a major factor in revenue totals, but interestingly enough, Hamilton’s seat count through six weeks was only 64,171, which drops it down to 15th. Meanwhile, Aladdin’s 82,717 seats sold was good for the top spot in the category.
Broadway's Enduring Hits
The full top 25 by six-week box office revenue is featured in the table below, though theater fans may notice that a number of heavy hitters are suspiciously absent.
Among the notable Broadway productions not making the cut were Wicked ($5,635,966), The Book of Mormon ($5,590,677), The Lion King ($4,600,583), Jersey Boys ($4,190,056), and Phantom of the Opera ($2,931,387), though despite modest early earnings, the productions have had little problem standing the test of time.
Top 25 Broadway Shows (By Box Office Revenue)
Rank |
Show |
Six-Week Total |
Total Seats Sold |
Venue |
1 |
Hamilton (2015) |
$8,978,868 |
64,171 |
Richard Rodgers Theatre |
2 |
Evita (2012 revival) |
$8,843,746 |
73,483 |
Marquis Theatre |
3 |
Lucky Guy (2013) |
$8,194,921 |
57,267 |
Broadhurst Theatre |
4 |
It's Only a Play (2014) |
$8,009,465 |
51,514 |
Gerald Schoenfeld Theatre |
5 |
Elf (2010) |
$7,784,467 |
63,219 |
Al Hirschfeld Theatre |
6 |
The Addams Family (2010) |
$7,778,331 |
70,856 |
Lunt-Fontanne Theatre |
7 |
Betrayal (2013 revival) |
$7,564,693 |
50,544 |
Ethel Barrymore Theatre |
8 |
An American in Paris (2015) |
$7,533,662 |
78,476 |
Palace Theatre |
9 |
Motown the Musical (2013) |
$7,390,860 |
72,866 |
Lunt-Fontanne Theatre |
10 |
Les Miserables (2014 revival) |
$7,261,048 |
63,744 |
Imperial Theatre |
11 |
West Side Story (2009 revival) |
$7,219,645 |
81,448 |
Palace Theatre |
12 |
Cinderella (2013) |
$6,997,951 |
73,825 |
Broadway Theatre |
13 |
Fish in the Dark (2015) |
$6,989,848 |
52,303 |
Cort Theatre |
14 |
A Raisin in the Sun (2014 revival) |
$6,883,760 |
50,208 |
Ethel Barrymore Theatre |
15 |
The Audience (2015) |
$6,875,537 |
45,392 |
Schoenfeld Theatre |
16 |
Aladdin (2014) |
$6,809,749 |
82,717 |
New Amsterdam Theatre |
17 |
Billy Elliot (2008) |
$6,758,700 |
62,961 |
Imperial Theatre |
18 |
Mary Poppins (2006) |
$6,715,839 |
80,311 |
New Amsterdam Theatre |
19 |
Finding Neverland (2015) |
$6,456,601 |
67,513 |
Lunt-Fontanne Theatre |
20 |
Kinky Boots (2013) |
$6,362,800 |
67,045 |
Al Hirschfeld Theatre |
21 |
Matilda the Musical (2013) |
$6,274,492 |
67,090 |
Shubert Theatre |
22 |
Follies (2011 revival) |
$6,030,597 |
65,649 |
Marquis Theatre |
23 |
The Producers (2001) |
$5,909,334 |
78,713 |
St. James Theatre |
24 |
The King and I (2015 revival) |
$5,766,604 |
50,256 |
Vivian Beaumont Theater |
25 |
The Color Purple (2005) |
$5,741,235 |
74,980 |
Bernard B. Jacobs Theatre |